I work with reclaimed materials to create artifacts that feel both familiar and otherworldly. My practice explores material transformation and myth-making — how fragments of the everyday can be reshaped into relics of elsewhere.
I work with salvage and scrap—recasting discarded matter into sculptural relics. My practice is an exercise in material transformation and myth-making: building artifacts that suggest they’ve been unearthed from another world.
Each sculpture is hand-built from salvage and scrap, layered and bound into durable form. The process is incremental and tactile, allowing the raw matter to assert itself as structure, surface, and myth.